NOMEANSNO - Wrong (limited edition red vinyl) 2024 Reissue
At last, one of the all-time bat legends, NOMEANSNO has returned to Alternative Tentacles Records!!! Using the original all analog master from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.
Originally released on Alternative Tentacles in 1989, WRONG stands on its own, and is still considered to be a much-loved classic, not unlike Pinocchio. Allmusic called the album a masterpiece and the definitive jazz core (currently securing rights to that one) album. In 2021, the album was voted by the public to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award.
In 2015, drummer John Wright described the album as their “most popular album by a country mile” harkening back to those early days of punk rock when time was measured by the lifespan of a raccoon, and to the St. Louis Music Press of WRONG’s success to the rise of alternative music and the success of Nirvana;
"That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up."
Limited to 500
At last, one of the all-time bat legends, NOMEANSNO has returned to Alternative Tentacles Records!!! Using the original all analog master from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.
Originally released on Alternative Tentacles in 1989, WRONG stands on its own, and is still considered to be a much-loved classic, not unlike Pinocchio. Allmusic called the album a masterpiece and the definitive jazz core (currently securing rights to that one) album. In 2021, the album was voted by the public to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award.
In 2015, drummer John Wright described the album as their “most popular album by a country mile” harkening back to those early days of punk rock when time was measured by the lifespan of a raccoon, and to the St. Louis Music Press of WRONG’s success to the rise of alternative music and the success of Nirvana;
"That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up."
Limited to 500
At last, one of the all-time bat legends, NOMEANSNO has returned to Alternative Tentacles Records!!! Using the original all analog master from the original mother, as engineered by George Horn, John Wright, and Jello Biafra.
Originally released on Alternative Tentacles in 1989, WRONG stands on its own, and is still considered to be a much-loved classic, not unlike Pinocchio. Allmusic called the album a masterpiece and the definitive jazz core (currently securing rights to that one) album. In 2021, the album was voted by the public to win the Canadian Polaris Heritage Prize to honor classic Canadian albums released before the creation of the award.
In 2015, drummer John Wright described the album as their “most popular album by a country mile” harkening back to those early days of punk rock when time was measured by the lifespan of a raccoon, and to the St. Louis Music Press of WRONG’s success to the rise of alternative music and the success of Nirvana;
"That’s where all the buzz about us came from. We were touring throughout the States in the mid-80s, and we'd get a little bit of an audience here and there, but after a couple of years in Europe, we started doing some big shows there, and all of a sudden, people in the States were coming out to our shows. And we went from getting paid $200 to getting paid $1000. It was just like that. You had to have the buzz, and then it all just kind of blew up."
Limited to 500
1.
It’s Catching Up 03:29
buy track
2.
The Tower 05:11
3.
Brainless Wonder 01:35
4.
Tired Of Waiting 01:47
5.
Stocktaking 03:05
6.
The End Of All Things 05:11
7.
Big Dick 03:15
8.
Two Lips, Two Lungs And One Tongue 01:46
9.
Rags And Bones 05:05
10.
Oh No! Bruno! 03:06
11.
All Lies 06:27
